Keyword: objects

Sarah Eyre

Opening up the Wig: An exploration of the wig using photographic and sculptural strategies to reveal the relationships between the wig, the self, society and the construction of female identities.

My practice is situated in the intersection between sculpture and studio-based photography and will employ a range of strategies to unpack the function and definition of the wig, and interrogate the social context that currently produces and values it. This will involve investigating both the intention of the wig – representing, idealising and projecting the ‘feminine’ – and its material origins – the physicality of it and the cultural context that produces it. The female wig in particular offers a space for public and private ideas of femininity to interact. Women’s wigs can act as a metonym for the female body as both an artificial construct (the ideal female body), and an absence (the intended wearer, or, in the case of natural hair, the persons whose hair it was).

Sue Blatherwick

Archaeology: Site, Object, Context; Interpreting A Collection.  A study of the ceramic work of Robert Louis Blatherwick (1920-1993)

The previously unrecorded work of Robert Louis Blatherwick occupies an empty space, representing a gap in the recording of twentieth century ceramic history. The body of work produced deserves attention.